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Burn After Reading
Focus Features


6.3

based on 37 reviews
Read critic reviews
How did we calculate this?

based on 157 votes
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FILM:

MPAA RATING: R for pervasive language, some sexual content and violence

Starring George Clooney, Brad Pitt, John Malkovich, Tilda Swinton, Frances McDormand, and J.K. Simmons

An ousted CIA official's memoir accidentally falls into the hands of two unwise gym employees intent on exploiting their find. (Focus Features)

GENRE(S):	Comedy \| Crime
WRITTEN BY:	Ethan Coen Joel Coen
DIRECTED BY:	Ethan Coen Joel Coen
RELEASE DATE:	DVD: December 16, 2008 Theatrical: September 12, 2008
RUNNING TIME:	96 minutes, Color
ORIGIN:	USA

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Chicago Reader J.R. Jones

After the portentous "No Country for Old Men," Joel and Ethan Coen return to their trademark brand of cruel, misanthropic farce, and for dark laughs and hurtling narrative momentum this spy caper is their best work since "Fargo."

Christian Science Monitor Peter Rainer

This is the loopiest star vehicle in ages.

Film Threat Zack Haddad

A roller coaster of emotions that will have you laughing one moment and gasping in shock the next.

Portland Oregonian Marc Mohan

Nothing more and nothing less than a savvy and talented cast having its way with a clever, hilarious script, with absolutely no weighty issues at stake.

Los Angeles Times Kenneth Turan

Because it's a Coen brothers film before it's anything else, this is about as dark and nihilistic as comedies are allowed to get before the laughter dies bitterly on your lips.

Newsweek David Ansen

That's the paradox that makes this parade of folly so much fun: it feels as if everyone involved is having a high old time, and their enthusiasm is contagious.

Empire Ian Nathan

If "No Country For Old Men" was vintage port, Burn After Reading is a shot of tequila: eye watering and hard to swallow, but the after-effect is terrific.

ReelViews James Berardinelli

This is a thriller with a high quotient of comedic elements or, if you prefer, a comedy with a high quotient of thriller elements. As is always the case with a production of Joel & Ethan, it's difficult to classify, but that doesn't make it any less enjoyable.

Philadelphia Inquirer Steven Rea

A goofy screwball romp that affords a gaggle of A-listers the chance to hambone around in antic style.

Chicago Sun-Times Roger Ebert

The characters are zany, the plot coils upon itself with dizzy zeal, and the roles seem like a perfect fit for the actors -- yes, even Brad Pitt, as Chad, a gum-chewing, fuzzy-headed physical fitness instructor. I've always thought of him as a fine actor, but here he reveals a dimension that, shall I say, we haven't seen before.

Seattle Post-Intelligencer Sean Axmaker

One of the Coens' more playful projects, much lighter and significantly slighter than "No Country for Old Men" or "Fargo," but it's put together with such perfection that you can't help but be won over.

Rolling Stone Peter Travers

It would be no country for movie lovers without the Coens. They still manage to run unmuzzled while the rest of Hollywood runs scared.

The Onion (A.V. Club) Keith Phipps

This feels like a second-shelf Coen comedy, particularly when compared to their no-less-shaggy "The Big Lebowski."

USA Today Claudia Puig

It's consistently funny -- with witty dialogue and offbeat banter that stays in your head for days.

TV Guide Maitland McDonagh

The brothers' dark, all-star farce about sex, lies and surveillance is pretty damned funny.

Miami Herald Rene Rodriguez

Everyone in the movie is a buffoon or a dolt. No one is redeemable. The humor comes at the expense of the characters: You're always laughing at them, never with them. The Coens have never seemed this disdainful, this mocking, of their fellow man.

Charlotte Observer Lawrence Toppman

It's as pitiless and brutal as any of their pictures and funnier than any except "Raising Arizona."

San Francisco Chronicle Walter Addiego

Doesn't add up to much, but it's fast and funny and lets a bunch of top-drawer actors exercise their comic muscles.

Salon.com Andrew O'Hehir

Beneath its movie star clowning, its awful-but-relatable heroine and its lightweight gags, Burn After Reading poses an implicit challenge to its viewers: Can you figure out why this comedy isn't very funny? Could that be because its central proposition is that the people in the theater are just as stupid, just as gullible, just as eager to be deceived as the people on the screen?

Village Voice J. Hoberman

The Coens return to familiar territory with the parody thriller Burn After Reading, a characteristically supercilious and crisply shot clown show filled with cartoon perfs and predicated on extravagant stupidity.

The Hollywood Reporter Kirk Honeycutt

Joel and Ethan Coen clearly are in a prankish mood, knocking out a minor piece of silliness with all the trappings of an A-list studio movie.

Austin Chronicle Josh Rosenblatt

Burn After Reading, the new film from the Coen Brothers, won't be mistaken for "Fargo" anytime soon. Or "Barton Fink," or "The Man Who Wasn' There." Those films were black comedy done to perfection.

The Globe and Mail (Toronto) Rick Groen

It's clear that Burn After Reading is a wannabe cult favourite -- some viewers may embrace it; many more will just want to burn after watching.

New York Post Kyle Smith

The film has enough funny lines and weird situations - some comedy business with a sex chair lovingly constructed by the Clooney character is the highlight - that it could age into a cult film like "The Big Lebowski."

Baltimore Sun Michael Sragow

The script is clever and would be brilliant if it worked.

Boston Globe Ty Burr

Shallow and proud of it, an antic cartoon that lacks the comic inspiration to go the distance.

Slate Dana Stevens

It's a clever setup for a spoof of the espionage thriller, but despite the film's intermittent pleasures (Pitt's gum-snapping dolt chief among them), the result is oddly airless.

Variety Todd McCarthy

Nothing about the project's execution inspires the feeling that this was ever intended as anything more than a lark, which would be fine if it were a good one. As it is, audience teeth-grinding sets in early and never lets up.

Entertainment Weekly Lisa Schwarzbaum

The movie is overplowed, even if Brad Pitt's debut as a Coen comedy player is eye-catching.

New York Magazine David Edelstein

Burn After Reading is untranscendent, a little tired, the first Coen brothers picture on autopilot. In the words of the CIA superior, it’s "no biggie."

The New York Times Manohla Dargis

The clubby, predictably self-amused comedy from Joel and Ethan Coen, has a tricky plot, visual style, er, to burn, but so little heart as to warrant a Jarvik 8.

Chicago Tribune Michael Phillips

Clooney remains as game as ever, but the way he and McDormand push the energy here, you feel the strain. Pitt, just floating through, comes off best. He doesn't judge the moron he's playing; he just is.

Wall Street Journal Joe Morgenstern

It's a cheerful trifle tossed off by the Coen brothers in their self-enchanted mode, an approach to comedy that shrugs off comedy's cardinal rule -- Don't Act Funny.

Washington Post Neely Tucker

Oh, the high-octane cast works hard. But there's nothing to suggest anybody off camera tried that hard, which is fatal to a Coen outing.

The New Yorker David Denby

Even Frances McDormand, the salt-of-the-earth actress who has warmed so many of the Coen brothers movies, falls into a queasy dead zone.

New York Daily News Joe Neumaier

Hopped up like a Bugs Bunny cartoon on mescaline and as chatty and uppity as a 5-year-old, Burn After Reading could be seen as the Coen brothers' need to let loose after the tightly wound "No Country for Old Men."

Time Richard Corliss

Either the Coens failed, or I didn't figure out what they're attempting. I must be like Harry or Osborne, pretending to a sophistication I lack. Burn After Reading is a movie about stupidity that left me feeling stupid.

The average user rating for this movie is 6.3 (out of 10) based on 157 User Votes
Note: User votes are NOT included in the Metascore calculation.

Gendolyn H. gave it a3:
The film had a few laughs but it was flat overall. I was really amazed this came from the Coen brothers, whose work I generally like quite a lot, but this was way below their standards of excellence like Fargo.

Ange R. gave it a10:
A dark and brilliant pleasure.

Luree gave it an8:
Tight editing, plot twists, sudden violence, funny, cool ending. Loved it - walked out of the theater feeling like I'd really seen a good movie.

Jonas N. gave it an8:
I laughed throughout the last 30 minutes of this film. The plot, or lack of same, was hilarious.

Marvin S. gave it a3:
I love Coen Brothers movies. This one is a dud. I did not care about the characters nor could I invest in the plot. Weird people acting stupid and killing each other is not comedy, dark or otherwise. Very, very disappointed.

[Anonymous] gave it a0:
This script should've been burnt after reading. I've never been this close to leaving the cinemas. I didn't hear one good word about it from other people who were watching the movie. During the break I couldn't help but speaking out loud what kind of $#!% I thought it was, and I didn't get else but confirmation from other people. I came here to expect that others somewhat shared the same opinion and I'm very surprised that it's currently rated at 6.3 / 6.5. I guess I'm more of an all rounder when it comes to watching movies. I think this movie only appeals to a specific group (hence the great differences in user ratings). I didn't see the trailer before I watched the movie, but upon watching it now I would think its a fair movie. I think the trailer is pretty misleading. Better wait for 007. Even if you have to wait 2 weeks before you can make a reservation.

Gemma D. gave it a10:
I find the mixed reviews interesting. The friend I watched this movie with didn't like it at all, I loved it. Unlike myself she didn't think it was funny and argued that there was a lack of likeable characters. Indeed, all characters seem to suffer from a mid-life crisis and are completely egotistic in how they deal with life and especially each other, but in this case I thought this added to the movies strength, humour and point. Fargo meets Lebowski, as far as I'm concerned.

Burn After Reading Focus Features

Burn After Reading
Focus Features