GAMES: GameSpot | GameFAQs MUSIC: Last.fm | MP3.com MOVIES: Metacritic | Movietome TV: TV.com
Home | About Metacritic | About Metascores | What's New | Wireless Versions | Discussion Forums | Advertising Inquiries | Contact Us | RSS
Metacritic.com: We Deal With Criticism
     Help
> Switch to Advanced Search  
Film Video/DVD Music Games TV

Film

Upcoming Release Calendar
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

 

Wide Releases

sort by name sort by score

Stars indicate the most critically-acclaimed movies.

 

Limited Releases

sort by name sort by score

58 Adam Resurrected
64 Appaloosa
69 Ashes of Time Redux
68 August Evening
54 Battle in Seattle
76 Betrayal - Nerakhoon, The
70 Black Balloon, The
55 Boy in the Striped Pajamas, The
51 Breakfast with Scot
xx Cargo 200
63 Changeling
66 Che
84 Christmas Tale, A
93 Class, The
38 Dark Streets
57 Defiance
xx Dostana
70 Doubt
62 Duchess, The
46 Dukes, The
63 Eden
xx Extreme Movie
69 Fear(s) of the Dark
26 Filth and Wisdom
28 Fireproof
80 Frost/Nixon
43 Gardens of the Night
73 Girl Cut in Two, A
36 Good
54 Good Dick
73 Gran Torino
30 Guitar, The
84 Happy-Go-Lucky
31 Hounddog
26 House of the Sleeping Beauties
49 How About You
70 Hunger
72 I Served the King of England
70 I.O.U.S. A
40 Igor
79 I've Loved You So Long
64 JCVD
xx Just Another Love Story
29 Lake City
59 Last Chance Harvey
82 Let the Right One In
31 Let Them Chirp Awhile
xx Local Color
89 Man on Wire
74 Moscow, Belgium
36 My Name Is Bruce
28 Nobel Son
xx Not Easily Broken
64 Nothing But the Truth
40 Other End of the Line, The
34 Otto; or Up with Dead People
75 Pool, The
78 Pray the Devil Back to Hell
xx Rab Ne Bana Di Jodi
82 Rachel Getting Married
58 Reader, The
56 Religulous
32 Repo! The Genetic Opera
53 RocknRolla
64 Scott Walker: 30 Century Man
77 Secret of the Grain, The
84 Silent Light
86 Slumdog Millionaire
57 Special
80 Stranded: I Have Come from a Plane That Crashed on the Mountains
67 Synecdoche, New York
82 Tell No One
68 Theater of War
65 Timecrimes
83 Trouble the Water
43 Tru Loved
83 U2 3D
88 Waltz with Bashir
59 We Are Wizards
80 Wendy and Lucy
71 What Doesn't Kill You
55 What Just Happened?
61 Where God Left His Shoes
40 While She Was Out
81 Wrestler, The
xx Yonkers Joe

Stars indicate the most critically-acclaimed movies.

 



Printer-Friendly Version Email This Page Discuss In Our Forums

Dark Knight, The
Warner Bros. Pictures

Dark Knight, The reviews
Critic Score
Metascore: 82 Metascore out of 100
User Score  
8.9 out of 10
based on 39 reviews
Read critic reviews
How did we calculate this?
based on 1463 votes
Read user comments
Rate this movie

MPAA RATING: PG-13 for intense sequences of violence and some menace

Starring Christian Bale, Heath Ledger, Aaron Eckhart, Maggie Gyllenhaal, Gary Oldman, Michael Caine, and Morgan Freeman

Batman raises the stakes in his war on crime. With the help of Lieutenant Jim Gordon and District Attorney Harvey Dent Batman sets out to dismantle the remaining criminal organizations that plague the city streets. The partnership proves to be effective, but they soon find themselves prey to reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as the Joker. (Warner Bros.)


GENRE(S): Action  |  Crime  |  Drama  |  Mystery  |  Suspense/Thriller  
WRITTEN BY: Bob Kane (characters)
David S. Goyer (story)
Christopher Nolan (& story)
Jonathan Nolan
 
DIRECTED BY: Christopher Nolan  
RELEASE DATE: DVD: December 9, 2008 
Theatrical: July 18, 2008 
RUNNING TIME: 152 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Variety Justin Chang
Enthralling...An ambitious, full-bodied crime epic of gratifying scope and moral complexity, this is seriously brainy pop entertainment that satisfies every expectation raised by its hit predecessor and then some.
Read Full Review
100
The Hollywood Reporter Kirk Honeycutt
Bale again brilliantly personifies all the deep traumas and misgivings of Batman's alter ego, Bruce Wayne. A bit of Hamlet is in this Batman.
Read Full Review
100
Time Richard Corliss
Beyond dark. It's as black -- and teeming and toxic -- as the mind of the Joker. "Batman Begins," the 2005 film that launched Nolan's series, was a mere five-finger exercise. This is the full symphony.
Read Full Review
100
ReelViews James Berardinelli
Christopher Nolan has provided movie-goers with the best superhero movie to-date, outclassing previous titles both mediocre and excellent, and giving this franchise its "The Empire Strikes Back."
Read Full Review
100
Village Voice Scott Foundas
The Dark Knight will give your adrenal glands their desired workout, but it will occupy your mind, too, and even lead it down some dim alleyways where most Hollywood movies fear to tread.
Read Full Review
100
New York Daily News Joe Neumaier
Twisted, tortured, terrifying - and terrific.
Read Full Review
100
Chicago Sun-Times Roger Ebert
"Batman" isn't a comic book anymore. Christopher Nolan's The Dark Knight is a haunted film that leaps beyond its origins and becomes an engrossing tragedy. It creates characters we come to care about. That's because of the performances, because of the direction, because of the writing, and because of the superlative technical quality of the entire production.
Read Full Review
100
Chicago Tribune Michael Phillips
Sensational, grandly sinister and not for the kids, The Dark Knight elevates pulp to a very high level.
Read Full Review
100
Empire Mark Dinning
Ledger's performance is monumental, but The Dark Knight lives up to it. Nolan cements his position as Hollywood's premier purveyor of blockbuster smarts – and the Batbike is kinda cool, too.
Read Full Review
100
Seattle Post-Intelligencer Sean Axmaker
With The Dark Knight, the cinematic superhero spectacle comes closest to becoming modern myth, a pulp tragedy with costumed players and elevated stakes and terrible sacrifices. It's the new gold standard for superhero noir.
Read Full Review
100
TV Guide Maitland McDonagh
That Ledger stands out in such a powerhouse ensemble is a tribute to his radically unhinged interpretation of a familiar character: The lank hair tinged seaweed green, the darting tongue and faint lisp that call constant attention to the ghastly rictus of his mouth, the nightmarishly smudged make up… taken together, they make previous Jokers feel like, well, jokes.
Read Full Review
100
USA Today Claudia Puig
When was the last time you saw a blockbuster that was impeccably executed and simultaneously thought-provoking, audacious and unnerving while consistently being fun and entertaining?
Read Full Review
100
Charlotte Observer Lawrence Toppman
succeeds as an action film, character study and metaphor for our own terrorism-obsessed time.
Read Full Review
100
Los Angeles Times Kenneth Turan
May be the most hopeless, despairing comic-book movie in memory. It creates a world where being a superhero is at best a double-edged sword and no triumph is likely to be anything but short-lived.
Read Full Review
100
Slate Dana Stevens
Nolan turns the Manichean morality of comic books--pure good vs. pure evil--into a bleak post-9/11 allegory about how terror (and, make no mistake, Heath Ledger's Joker is a terrorist) breaks down those reassuring moral categories.
Read Full Review
100
The Onion (A.V. Club) Keith Phipps
The film's capes and cowls suggest one genre, but it's a metropolis-sized tragedy at heart.
Read Full Review
95
NPR Bob Mondello
The real relationship here is between a Batman in existential crisis and a Joker who'd love to leap with him into the abyss -- tight-a--ed yin and anarchist yang in a fantasy franchise that Nolan has made as riveting for its psychological heft as for the adrenaline rushes it inspires at regular intervals.
Read Full Review
91
Christian Science Monitor Peter Rainer
This comic-book movie is more disturbing, and has more freakish power, than anything else I've seen all year.
Read Full Review
91
Entertainment Weekly Owen Gleiberman
At two hours and 32 minutes, this is almost too much movie, but it has a malicious, careening zest all its own. It's a ride for the gut AND the brain.
Read Full Review
90
Film Threat Pete Vonder Haar
The Dark Knight may not be a masterpiece, but it easily vaults to the top of any list of "best superhero movies."
Read Full Review
90
The New York Times Manohla Dargis
Pitched at the divide between art and industry, poetry and entertainment, it goes darker and deeper than any Hollywood movie of its comic-book kind.
Read Full Review
88
Miami Herald Rene Rodriguez
The Dark Knight is dark, all right: It's a luxurious nightmare disguised in a superhero costume, and it's proof that popcorn entertainments don't have to talk down to their audiences in order to satisfy them. The bar for comic-book film adaptations has been permanently raised.
Read Full Review
88
Rolling Stone Peter Travers
No fair giving away the mysteries of The Dark Knight. It's enough to marvel at the way Nolan -- a world-class filmmaker, be it "Memento," "Insomnia" or "The Prestige" -- brings pop escapism whisper-close to enduring art.
Read Full Review
88
New York Post Kyle Smith
The highest praise I can give a superhero movie is that it makes me forget about its 10-cent-comic-book soul.
Read Full Review
83
Portland Oregonian Shawn Levy
Because make no mistake: The Dark Knight is many things, some of them deliriously fun, some of them deeply impressive, and some of them puzzling and frustrating. But most of all it is dark.
Read Full Review
80
Chicago Reader J.R. Jones
The moral dilemmas are perfectly fused with the amped-up action and outsize characters, but they're impossible to miss: like all of us, the people of Gotham have to protect themselves from evil without falling prey to it.
Read Full Review
75
Boston Globe Ty Burr
You come away impressed, oppressed, provoked, and beaten down, holding on to Ledger's squirrelly incandescence as a beacon in the darkness.
Read Full Review
75
Philadelphia Inquirer Carrie Rickey
Shakespearean but overlong, The Dark Knight is two hours of heady, involving action that devolves into a mind-numbing 32-minute epilogue.
Read Full Review
75
The Globe and Mail (Toronto) Liam Lacey
Mixing bravura filmmaking with flat clichés in about equal amounts, The Dark Knight is all about dualism. Appropriately, the movie's half-inspired, half-frustrating.
Read Full Review
75
San Francisco Chronicle Mick LaSalle
An action blockbuster extravaganza that's sadder than sad and never pretends otherwise.
Read Full Review
75
Premiere Eric Kohn
Nolan's strong suits are maniacal schemers and moody character-driven intrigue, both of which make The Dark Knight a sleek (if, at close to three hours, somewhat distended) detective story.
Read Full Review
70
Washington Post Stephen Hunter
You keep waiting for the movie to clarify, to settle down to its archetypal purity: icon of psychotic evil against icon of neurotic good. Music by Wagner in his "Götterdämmerung" mood, screenplay by Nietzsche, with additional lines by Babaloo Mandel. Oh, what a great big movie wallow, what a transformational blast of cine-pleasure. It never quite arrives
Read Full Review
70
Newsweek David Ansen
You may emerge more exhausted than elated. Nolan wants to prove that a superhero movie needn't be disposable, effects-ridden junk food, and you have to admire his ambition. But this is Batman, not "Hamlet." Call me shallow, but I wish it were a little more fun.
Read Full Review
60
Wall Street Journal Joe Morgenstern
Christopher Nolan's latest exploration of the Batman mythology steeps its muddled plot in so much murk that the Joker's maniacal nihilism comes to seem like a recurrent grace note.
Read Full Review
50
Baltimore Sun Michael Sragow
A handsome, accomplished piece of work, but it drove me from absorption to excruciation within 20 minutes, and then it went on for two hours more.
Read Full Review
50
New York Magazine David Edelstein
The novelty wears off and the lack of imagination, visual and otherwise, turns into a drag. The Dark Knight is noisy, jumbled, and sadistic.
Read Full Review
50
The New Yorker David Denby
The Dark Knight is hardly routine--it has a kicky sadism in scene after scene, which keeps you on edge and sends you out onto the street with post-movie stress disorder.
Read Full Review
50
Austin Chronicle Marc Savlov
The only thing here that feels truly, utterly alive is Ledger's maniacal, muttery Joker. The last laugh is his and his alone. It's enough to make you cry.
Read Full Review
50
Salon.com Stephanie Zacharek
Nolan may want us to believe in the darkness that lurks within each of us, but instead of leading us to it visually, he chops it up and sets it out in front of us, a grim, predigested banquet.
Read Full Review

What Our Users Said

Vote Now!The average user rating for this movie is 8.9 (out of 10) based on 1463 User Votes
Note: User votes are NOT included in the Metascore calculation.

Vincent gave it a10:
A great movie all around and the end is superb.

hal b gave it a7:
Perhaps it loses some of its impact on the small screen (I have only a 32-inch flat screen TV), but I was expecting a bit more from this film. It's a good, not a great, movie. The actors, esp. Ledger, do a very good job in this, the continuing saga of a comic book legend. Perhaps a second viewing will WOW me more...?

Armond A. gave it a5:
The makers of this film bought themselves a terrific toolbox but they didn't build much of anything. Well actually they made a very big, noisy, philosophically pompous, bore. It runs awfully long, too, as if trying to make up for its lack of satisfying content by giving a second and third helping, as the crash-em-up episodes just keep on coming. Please, no more of this batty-man. The myth has been over-explored and wrung out. Maybe it's time for an updated version of the campy interpretation many of us howled at 40 years ago.

David gave it a6:
A halfway decent superhero flick that takes itself way too seriously, wanting to be the next Heat but failing. Horrendously edited, with an overstuffed plot and misused actors. Ledger steals the show; without him it would be plain unremarkable. So, not really a bad film, but not at all a great one, and completely undeserving of the ridiculously high praise being given to it.

Dale M gave it a4:
This movie is a mix of utterly serious themes mixed with a bunch of silliness. One minute an 18-wheeler is racing down city streets taking corners at 50 miles an hour in a manner 18-wheelers just don't do, and the next someone is brooding on some deep subject. The seriousness ruins the fun factor of the movie, and the fun stuff makes the serious seem bathetic.

Hars H. gave it a4:
Quite possibly the most overrated Hollywood film since Titanic. Convoluted and overwrought with dry performances, unnecessary subplots, and derivative action sequences. Ledger gives a compelling performance in what is otherwise a vacuous film. I respect Christopher Nolan, but he needs to ask Jon Favreau how to make a superhero film.

Andrew L gave it a10:
with the phenomenal performance of heath ledger and again by gary oldman the sequel to batman begins didnt cease to amaze me, not in the slightest. thinking i'd only watch the ledger parts from the blu-ray disc, i ended up watching the entire thing start to finish - it truly is a masterpiece.

Read more user comments...

Discuss this movie in our forums

Return to top of page
Home | FILM | DVD/VIDEO | MUSIC | GAMES | TV | Forums | About Metacritic metacritic.com

Popular on CBS sites: MLB | Spore | iPhone 3G | Paris Hilton | Antivirus Software | GPS | Recipes | Shwayze | NFL

About CBS Interactive | Jobs | Advertise

© 2008 CBS Interactive Inc. All rights reserved. | Privacy Policy | Terms of Use